Private Voice Lessons in Miami | Blending Vocal Registers

Private Voice Lessons in Miami

Welcome to lesson five, blending registers where we discuss private voice lessons in Miami. During this lesson, we’re going to be learning how to blend all three of you vocal registers, chest, middle, and hit register. So as we discovered in, listen for the pharyngeal resonate is the bridge between your chest and hid resonances or chest and head nuts and is the foundation of a well blended vocal range. And we also know that most of the time seeing is running to issues such as strain, vocal breaks, or we can berthy tone because they attempt to jump straight from the chest, register to the head register without crossing the pharyngeal bridge. This is the most common cause for vocal breaks and online to spend a bit of time here talking about vocal breaks so that you understand how and why vocal breaks occurred and how to avoid them. So what is a vocal break? Vocal breaks, uh, one of the most common issues that many singing’s experienced when learning how to sing and usually though not always occur between the lower and middle registers, for the singer’s voice, for example, have you ever heard or felt your voice do this? Oh,

did you notice how when I reached a certain pitch, my voice flipped or broke, which resulted in a weaker breathier sound? That’s what we call a vocal break or a break in the voice, and ultimately it’s caused by extreme tension in the neck and throat area. So as we’ve talked about in previous lessons with private voice lessons in Miami, tensions surrounding the vocal cords disables them from functioning properly and prevents them from easily changing position in order to produce different pitchers. So a vocal break is a classic example of how tension and force dramatically affect your level of comfort while singing and the quality of tone you produce. So let’s look at what’s actually happening when a senior experiences of a break. So what as we know, the voice is controlled by muscles and cartilage that sits inside the Larynx, Aka the voice box oversimplifying these muscles and just position of the vocal cords to produce the different notes that you’re seeing. Now, many singers experienced vocal breaks when they try to use the muscles on the outside of the larynx. It neck and throat muscles that we teach in private voice lessons in Miami. If you place your fingers gently over the front of your neck and throat and swallow, you’ll feel the larynx move upwards towards your jaw and then down again, so I try that with me now.

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Okay, so the muscles that control is swallowing mechanism, stitch on the outside of your larynx and on not the muscles you use for healthy natural vocal production. As you can feel, these muscles work in a way that makes the larynx rise in the throat, and when this happens, the muscles on the inside of the letterings are restricted in movement. With private voice lessons in Miami, the most common reason a singer experiences strain while singing is because they’re engaging these same swallow muscles. When these muscles have pushed or stretched to their physical limits, the larynx can rise no further in the throat and the vocal cords become immobilized due to the tension that this creates. This is precisely the point at which you may experience the break. At this point, the muscles of forced to release causing your voice to flip into the next area of your boys were you will no doubt find that your voice is weak or breathy and lacks control and vitality.

Most often, the reason that we use our voice in this unhealthy way is due to the desire to sing louder or with more power, and I know this not only through 20 years of experience teaching people who have encountered this issue but also from my own personal experience because when I first started seeing, Before private voice lessons in Miami I thought that I had to push my voice to get a louder, more powerful sound. Obviously, I didn’t get very far using that approach. However, singers that have powerful voices achieve this power through the combined use of their resonances, breath, pressure and control and the use of their vocal and abdominal muscles as we’ve discovered in previous lessons and not as a result of physical strength or learned force of tone. So the moral of the story is to kate, the larynx, sainted rather than forcing it to rise in the throat as a result of pushing the sound louder or higher.

Basically during this lesson we’re going to begin referring to the Middle Register or for Ngo Bridge as your mix voice because it’s through this range of notes that sit in the pharyngeal that the chest register and hit register a pooled or blended or mixed together so that you can create a smooth even transition between the chest and head registers as you mix. While training the voice in private voice lessons in Miami, it is usually the area that needs the most work because it’s a coordination of vocal muscles. Words used in both the head and chest registers. Make sure that you exercise this area of your voice dheilly along with the other registers. However, whilst you are singing in the Middle Register, become aware of how when you stay low it into pharyngeal resonator, you begin to feel your chest voice engaging. It’s like there is a pool towards it. As this happens, try to resist dropping into the chest register and instead lot nofx on your time.

As we discussed before in private voice lessons in Miami, and a’s yourself down into your chest. Register much like you’d a’s yourself down into a hot bath, so take it slow and be aware of the sensations that occur as you do this. The same goes with your head voice as you step up higher in pitch, and that was into the upper areas. If you pharyngeal resonator, resist the urge to flip into head voice instead imagined that you’re leaning against the sound as you ascend, almost as if the vibration that you feel at the front of your face is leaning inward against you and you in turn are leading out against it. Uh, you can liken it to the supportive force of balance that’s achieved when you would a friend a sitting with your backs together. So be easy with this. It’s not as difficult as you think. It may seem foreign, but it’s not difficult.

There’s nothing standing between you and you go except a bit of time, practice and patients, and I’m sure you’ll agree that these elements and nothing even not practice many times in your life whilst learning the many other skills that you have right now. So this is definitely within your rage. So all we’re doing in private voice lessons in Miami is combining all of the information from less than four and learning how to use all three registers in combination. However, before we start singing, make sure that you’ve warmed up your voice, especially if this is the first time you singing today. So also remember that as you go through all of the exercises in this lesson, make sure you’re implementing all of the techniques you’ve been studying so far, like your posture, your breathing technique, and also remember to make as clear as sound as you know how to do at this point and don’t force the tone or push your voice. Keep your jaw, tongue and throat relaxed and maintain awareness of where the residents should be occurring in your body. So when you’re ready, let’s go straight into our first exercise.

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For this lesson, we’re going to start off the blending process by using the sound. Again, that’s the Ng sound which we use in private voice lessons in Miami. To engage the pharyngeal resonator while singing up from our chest register all the way through the mix and into the head registered and back down again. The Ng sound will act as a binder or connector that keeps the pharyngeal resonator switched on even while you’re seeing notes that are engaging. The chest registers and hit register. Your aim is to achieve a clear sound well keeping the tone light, especially in the chest register so that the transition upward into the mix is easier to coordinate as you move through your mix and up high into head register. Try to lean against the sound rather than reaching up on lifting up for those notes because this will help you to avoid flipping into your head, as you were saying, towards the top of the scale, so just briefly rather than reaching up or imagining that the sound is up.

After all, when you think up, your body does up which can cause tension, so rather than thinking up, think out or forward almost as if you’re leaning into the sound. However we covered that area much greater in the range extension with private voice lessons in Miami. Listen also at all times during this exercise, you want to be feeling the resonance in your pharynx while simultaneously feeling it in your chest. Then as we go higher, you want to be feeling that resonance in both your pharynx and in your head. This will take a bit of practice because up until now we focus the sound mostly into only one resonator. This is where your coordination begins to expand, so just take it step by step. Don’t rush. You’ve got plenty of time and be kind to yourself. Okay, here we go. This is exercise one. Ready please. Mr. Music.

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This is exercise to chest and pharyngeal. Mix Number one. So now that we’ve engaged the resonance in the pharynx through the use of the Ng sound, when now applies, apply sel. Focus on mixing the chest and middle registers with private voice lessons in Miami. So in this exercise we’re using two vowel sounds are to engage the chest resonance and as we extend hiring the scale, the French all sound to engage the pharyngeal resonance as you sing the ah sound round the edges of the a little instead of this, make it. Oh, this will help keep your larynx seated and in other words helps to avoid. Avoid it rising in your throat and creating tension as you transitioned into your middle register. So instead of an APP sound, make it rounded off sound. Okay, so when you sing the old sound, it’s perfectly fine to add a little nasality over the top of the tone because this will actually help you to engage the pharyngeal resonance.

Okay? This exercise takes you from the bottom of your chest, registered right up through to the top of your Middle Register, so make sure that you’re not placing too much weight on the tone when you start in chest or you may find that getting into the mix, which is a lot of coordination, is more difficult to do and you could experience a vocal break, stay light, stay rounded, and bring your focus while you sing towards achieving simultaneous vibration in your chest, throat, and nose. The idea is to very gradually transitioned from one vowel sound to the other because this helps to blend the two resonators. So follow my lead and here we go with exercise two in private voice lessons in Miami.

This is exercise three for renewal. Mixed number one, again, we’re using to sounds here, the French all to engage the pharyngeal resonator and o, which gravitates naturally toward the hair cavity like we did in the previous exercise. Make the transition between the balance gradual and as smooth as you can. Keep your jaw loose and make sure that you drop it open a little as you’d go into the high end notes. So what I made is that instead of keeping your lips close together, when you sing the sound, the higher notes like this, okay, open your mouth a little more like this. This will help create the space that’s needed for those high notes, which we’ll talk more about in the lesson on range extension, so even though it might feel awkward or foreign to open your mouth and the vowel sound may seem distorted as you sing it with an open mouth, the vowel sound that’s delivered to your audience will still sound like it.

During this exercise is to feel the vibration moving up from your throat to your nose and then into your upper facial area that shakes eye sockets and forward as you engage the notes that sit in your head register, so ready to give a guy with me. Okay. He’s exercised. Three.

This exercise in private voice lessons in Miami brings together the previous to now we’re going to blend. Exercise is two and three and seeing right through from your chest, register through the mix and then on into the head. Register as you sing, rather than visualizing that you’re climbing up to the head voice and imagine that you’re leaning forward into it. It’s quite a different mental approach and we’ll help you to avoid flipping into head. By the same token as you descend back down through the mix and into the chest register, use the imagery of gently lowering yourself into that hot bath by lightening off on the tone so that you don’t abandon the or resonance to early and crash back down into chest. This exercise is also excellent for breath control in private voice lessons in Miami. Remember to breathe low into the body and expand your rib cage, but only enough to fill your lungs comfortably. As you’ll notice when we’re singing, there’s only a small window of opportunity for you to take a breath in the middle of the exercise so that you’ve got enough air to get through the descending phrase in this space. You’ll need to exercise your snack breathing technique that we covered in lesson three. Remember to breathe through your mouth and breathe low, allowing the breath to drop quickly and fully into your lungs. Okay, let’s get straight to it. Ready?

The vowel combinations of this exercise is all for the chest register and we is kind of nasal sound to activate the pharyngeal resonator. We’ll be making some bigger jumps in this exercise because there are barely any songs that I know of that consist of only stepping notes like those found in a five note scale for instance. So we’ll be practicing the placement of our notes and now we’re accessing the different resonators while singing some larger intervals mostly in private voice lessons in Miami. Remember to keep the larynx relaxed and seated by rounding the Ole just slightly and look for the feeling place of the even before you go to sing it because the anticipation of the notes that are coming is an essential part of knowing where you’re going vocally and where in your body to focus those nights. So let’s do the exercise together. Now, this exercise takes us from the sound in the mix that we just practiced and continues us on into the head voice using the e vowel again, KP, Joel relaxed and drop it slightly more open as you ascend into the head. Register like this for private voice lessons in Miami. Remember and often helps while you’re doing your exercises to close your eyes. It brings our focus and awareness about physical sensations inwards and can better help you to find the feeling place of the resonance. Again, you’re I enjoy doing this exercise is to feel the vibration moving up from your throat to your nose and then in the upper facial area, the cheeks, eye sockets, and forward as you engage the notes that sit in your head registered. So let’s give this one. Shall we use exercise sticks?

Now I get to blend. Exercise is five and six the same way we did earlier in this exercise. We’re going to be using the vowel combinations all for the chest register notes and for the notes in the mix and eat for the notes in the head register, so remember, as you sing with me, sing gently and it in your chest voice and keep your larynx down by rounding the age of the vowel slightly to anticipate and engaged the sensation of resonance in the pharynx even before you changed to the sound and look for the feeling place of the vibration moving up through your throat, nasal cavity, and onwards, up into your face and for it. Take a deep breath. Close your eyes, relax and sink. Here we go.

okay. Here’s another special exercise for you and it’s called the crying cat and physics science used in private voice lessons in Miami. We’ll have you be yelling in your chest register. So you may end up sounding like a cat that can’t be bothered going like this. Me, I can’t. Oh, what fun. We have broken down into segments, we can hit all the rounded or Italian vowel sounds in this word meow. So we’ve got e A. Oh wow. These are great vowels or shapes for keeping the larynx seated. Great vowels for accessing different resonators of the body. And the m sound will help with you called closure. Remember to drop your jaw on the top notes. Keep a slightly nasal quality on the tone in the middle notes, and keep the low notes free from tension and force. It may also help to add a little lazy. Let to the tone in the lower register to help prepare the pharynx to receive the notes in the mix more easily. So here is exercise eight.

Okay. So maybe now you’ll be sounding like the more enthused kittycat at like dinner time or something because now when going from the mix into the head register, you’ll find that the movie play with this exercise the easier it will be a lot of the time. I was a so focused on making a beautiful sound that we forget to just make a natural sound in private voice lessons in Miami. So be a kid again for a moment. I just have some fun and throw caution to the wind. Much of your skill in sand production comes through place, so let loose a little. Alright. In this exercise, we’re doing exactly the same as we did in the last exercise only slightly higher in our register. Here we go.

Okay. Now you’re going to make like a cat on a merry go round. That’s very nice. But it wasn’t funny to mention. Okay. Right through from the chest into and through the makes an up into your head like a cat climbing a tree. Let’s go straight into this one.

And we’ve covered some really important issues and techniques. The most important thing for you to do is to be consistent in your practice. Be kind to yourself and enjoy the process. I know that might sound kind of daggy, but it’s important to set realistic expectations and goals for yourself so that you passion for singing continues to grow and develop with private voice lessons in Miami. So just looking back on this lesson, here are a few of the important technical elements to remember associated with vocal blending when you sing it. Number one, keep the chest voice light. Don’t place too much weight on your lower notes. So rather than placing a lot of weight on the sound and trying to make a sound, when you’re singing in your lower register, be aware that if you do this and, uh, trying to transition into higher registers or resonators, you may experienced strain and old breaks in your voice.

So number two, engage the pharyngeal resonance by using a slightly nicer quality. Remember that it’s okay for now to use a slightly nasal tone when you’re transitioning from your chest, register into your mix. So that means that even before you get to that point where you’re leaving your chest register, you need to prepare your vocal cords to receive the notes of the Middle Register in private voice lessons in Miami. And you do this by adding a hint of nasality to your tone. This, uh, this will engage the pharyngeal resonance and allow the vocal cords to more easily transition into the position required to sing those middle notes with more clarity and strength. Number three, lane into the sound. As you enter into the head register, also remember to lean into those high notes rather than lift up to them. This will help keep the Larry seated and we’ll also avoid vocal strain and breathy tone by directing the resonance more intensely into the facial and head cavities. It’s important to never push your voice to the point where you’re feeling strain or tension or discomfort. There’s a big difference between feeling tired as a result of a good workout and experiencing vocal strain. So with that said, let’s move on to lesson six where we’ll start really honing in on some of the issues that you may be experiencing as a vocalist and help you to iron them out. I’ll see you back here with bells on in a moment for lesson six when we’ll look more closely at how to produce a clear, resonant vocal sound.